Music
Music
Basic English on Mt. Fuji
The marriage of C.K. Ogden’s work with that of I.A. Richards yielded Basic English, an extreme narrowing of the English language whose principal aim was to eliminate misunderstanding due to clumsiness in manipulating the semiotic triangle. Reducing the dictionary to 850 words (with various ancillary vocabularies tailored to specific disciplines) would greatly reduce the possibility
A Love Letter to Judy Collins
Including Reviews of two of Judy’s Books: Sanity and Grace: A Journey of Suicide, Survival, and Strength and The Seven T’s: Finding Hope and Healing in the Wake of Tragedy Judy, I love it that your vocal gifts and training in classical piano never require you to reach for notes—I’ve never heard you reach once—but
Notes on Judy Collins and Suicide
Including reviews of two of her books: Sanity and Grace: A Journey of Suicide, Survival, and Strength and The Seven T’s: Finding Hope and Healing in the Wake of Tragedy Like many Judy Collins fans, I was first taken with her voice. She never reaches for a note, she hits each one like a finely-tuned
Poet with a Guitar—The Story of the C&W hit “Pancho and Lefty”
I’m a sucker for songwriters—from Judy Collins’ eclectic selections to Dylan to Lenny Cohen to Sondheim—they’ve taught me always to ask, “Who wrote this?” When I heard the Willy Nelson / Merle Haggard version of “Pancho and Lefty,” I searched out the songwriter. I had no idea it was from Townes Van Zandt, a guy
The High Art of Vocal Interpretation
It started out with Bob Dylan, I think, the grand concept of the sensitive and confessional singer/songwriter. And he was very good at it, as were Joni Mitchell, Paul Simon, Randy Newman, Phil Ochs, even Carole King. Some of these folks were VERY good singers and others made do with the voices they had. But it
Explore Topics
Novels and Collected Works
Basic English on Mt. Fuji
The marriage of C.K. Ogden’s work with that of I.A. Richards yielded Basic English, an extreme narrowing of the English language whose principal aim was to eliminate misunderstanding due to clumsiness in manipulating the semiotic triangle. Reducing the dictionary to 850 words (with various ancillary vocabularies tailored to specific disciplines) would greatly reduce the possibility
A Love Letter to Judy Collins
Including Reviews of two of Judy’s Books: Sanity and Grace: A Journey of Suicide, Survival, and Strength and The Seven T’s: Finding Hope and Healing in the Wake of Tragedy Judy, I love it that your vocal gifts and training in classical piano never require you to reach for notes—I’ve never heard you reach once—but
Notes on Judy Collins and Suicide
Including reviews of two of her books: Sanity and Grace: A Journey of Suicide, Survival, and Strength and The Seven T’s: Finding Hope and Healing in the Wake of Tragedy Like many Judy Collins fans, I was first taken with her voice. She never reaches for a note, she hits each one like a finely-tuned
Poet with a Guitar—The Story of the C&W hit “Pancho and Lefty”
I’m a sucker for songwriters—from Judy Collins’ eclectic selections to Dylan to Lenny Cohen to Sondheim—they’ve taught me always to ask, “Who wrote this?” When I heard the Willy Nelson / Merle Haggard version of “Pancho and Lefty,” I searched out the songwriter. I had no idea it was from Townes Van Zandt, a guy
The High Art of Vocal Interpretation
It started out with Bob Dylan, I think, the grand concept of the sensitive and confessional singer/songwriter. And he was very good at it, as were Joni Mitchell, Paul Simon, Randy Newman, Phil Ochs, even Carole King. Some of these folks were VERY good singers and others made do with the voices they had. But it