Music
Music
The High Art of Vocal Interpretation
It started out with Bob Dylan, I think, the grand concept of the sensitive and confessional singer/songwriter. And he was very good at it, as were Joni Mitchell, Paul Simon, Randy Newman, Phil Ochs, even Carole King. Some of these folks were VERY good singers and others made do with the voices they had. But it
Gemini — Ruby Braff
“[I]t’s impossible for me to say – as much as I loved him – that in his most productive and influential period Art Tatum was the only guy. How could I leave out Teddy Wilson? How could I leave out Hank Jones? How could I leave out Milt Buckner? How could I leave out a
Tuba Skinny: Back Down on the Ground
When Hoagy Carmichael and his friends Bob Gilette and Bix Beiderbecke went on a road trip to Chicago, their first stop was Lincoln Gardens, the club where King Oliver’s band was appearing. Many years later, Carmichael wrote about that night: As I sat down to light my first muggle, Bix gave the sign to a
The Democracy of Jazz
Much jazz writing has proceeded from the Great Man theory of history. If you’re trying to fashion a narrative, it’s a convenient theory. Buddy Bolden begat King Oliver begat Louis Armstrong begat Roy Eldridge begat Dizzy Gillespie; Bix Beiderbecke begat Bobby Hackett begat Chet Baker. And so on. These trains of influence are supportable to
Mozart’s Kept Canaries: Music and Technology
“The late humorist James Thurber wrote a fable set in a medieval court, and he has the Royal Astronomer report that all the stars are going out! It turns out that he is simply going blind. I am probably making the same mistake.” — Dan Wakefield, ed., Kurt Vonnegut Letters, Delacorte, 2012 I needed to
Explore Topics
Novels and Collected Works
The High Art of Vocal Interpretation
It started out with Bob Dylan, I think, the grand concept of the sensitive and confessional singer/songwriter. And he was very good at it, as were Joni Mitchell, Paul Simon, Randy Newman, Phil Ochs, even Carole King. Some of these folks were VERY good singers and others made do with the voices they had. But it
Gemini — Ruby Braff
“[I]t’s impossible for me to say – as much as I loved him – that in his most productive and influential period Art Tatum was the only guy. How could I leave out Teddy Wilson? How could I leave out Hank Jones? How could I leave out Milt Buckner? How could I leave out a
Tuba Skinny: Back Down on the Ground
When Hoagy Carmichael and his friends Bob Gilette and Bix Beiderbecke went on a road trip to Chicago, their first stop was Lincoln Gardens, the club where King Oliver’s band was appearing. Many years later, Carmichael wrote about that night: As I sat down to light my first muggle, Bix gave the sign to a
The Democracy of Jazz
Much jazz writing has proceeded from the Great Man theory of history. If you’re trying to fashion a narrative, it’s a convenient theory. Buddy Bolden begat King Oliver begat Louis Armstrong begat Roy Eldridge begat Dizzy Gillespie; Bix Beiderbecke begat Bobby Hackett begat Chet Baker. And so on. These trains of influence are supportable to
Mozart’s Kept Canaries: Music and Technology
“The late humorist James Thurber wrote a fable set in a medieval court, and he has the Royal Astronomer report that all the stars are going out! It turns out that he is simply going blind. I am probably making the same mistake.” — Dan Wakefield, ed., Kurt Vonnegut Letters, Delacorte, 2012 I needed to