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Tuba Skinny: Back Down on the Ground
When Hoagy Carmichael and his friends Bob Gilette and Bix Beiderbecke went on a road trip to Chicago, their first stop was Lincoln Gardens, the club where King Oliver’s band was appearing. Many years later, Carmichael wrote about that night: As I sat down to light my first muggle, Bix gave the sign to a
The Democracy of Jazz
Much jazz writing has proceeded from the Great Man theory of history. If you’re trying to fashion a narrative, it’s a convenient theory. Buddy Bolden begat King Oliver begat Louis Armstrong begat Roy Eldridge begat Dizzy Gillespie; Bix Beiderbecke begat Bobby Hackett begat Chet Baker. And so on. These trains of influence are supportable to
Mozart’s Kept Canaries: Music and Technology
“The late humorist James Thurber wrote a fable set in a medieval court, and he has the Royal Astronomer report that all the stars are going out! It turns out that he is simply going blind. I am probably making the same mistake.” — Dan Wakefield, ed., Kurt Vonnegut Letters, Delacorte, 2012 I needed to
If It Ain’t Got That Swing – Jazz Then and Now
The Aim Was Song Before man came to blow it right The wind once blew itself untaught, And did its loudest day and night In any rough place where it caught. Man came to tell it what was wrong: It hadn’t found the place to blow; It blew too hard – the aim was
How to Avoid Success
I’ve spent the last fifty years or so writing songs, performing them, trying to sell them, all without the slightest financial reward. Well, I overstate – back in the early 1980s, I played many paying gigs with a small group, Toy Boat. In 1982, Toy Boat had had two extended gigs at a Westside club
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Novels and Collected Works
Tuba Skinny: Back Down on the Ground
When Hoagy Carmichael and his friends Bob Gilette and Bix Beiderbecke went on a road trip to Chicago, their first stop was Lincoln Gardens, the club where King Oliver’s band was appearing. Many years later, Carmichael wrote about that night: As I sat down to light my first muggle, Bix gave the sign to a
The Democracy of Jazz
Much jazz writing has proceeded from the Great Man theory of history. If you’re trying to fashion a narrative, it’s a convenient theory. Buddy Bolden begat King Oliver begat Louis Armstrong begat Roy Eldridge begat Dizzy Gillespie; Bix Beiderbecke begat Bobby Hackett begat Chet Baker. And so on. These trains of influence are supportable to
Mozart’s Kept Canaries: Music and Technology
“The late humorist James Thurber wrote a fable set in a medieval court, and he has the Royal Astronomer report that all the stars are going out! It turns out that he is simply going blind. I am probably making the same mistake.” — Dan Wakefield, ed., Kurt Vonnegut Letters, Delacorte, 2012 I needed to
If It Ain’t Got That Swing – Jazz Then and Now
The Aim Was Song Before man came to blow it right The wind once blew itself untaught, And did its loudest day and night In any rough place where it caught. Man came to tell it what was wrong: It hadn’t found the place to blow; It blew too hard – the aim was
How to Avoid Success
I’ve spent the last fifty years or so writing songs, performing them, trying to sell them, all without the slightest financial reward. Well, I overstate – back in the early 1980s, I played many paying gigs with a small group, Toy Boat. In 1982, Toy Boat had had two extended gigs at a Westside club