This is the sixth in a series of columns that feature a much-loved poem, and a second poem that speaks to, or resonates with, that poem. This week’s poem is “Another Dog’s Death,” written by John Updike around 1989. The Poetry Foundation states, “An acclaimed and award-winning writer of fiction, essays, and reviews, John Updike […]
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This is the fifth in a series of columns that feature a much-loved poem, and a second poem that speaks to, or resonates with, that poem. This week’s poem is “All the World’s a Stage” by William Shakespeare, written around 1600. The Poetry Foundation states, “While William Shakespeare’s reputation is based primarily on his plays,
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This column’s primary poem is “One Art” by Elizabeth Bishop, written in 1975. Although the first line of this poem is “The art of losing isn’t hard to master;” the same way Steven Sondheim’s “Send in the Clowns” isn’t about clowns, this isn’t about losing things, certainly not keys. Both follow Emily Dickinson’s edict: “Tell the
This continues a series of columns that feature a much-loved poem and poems that speak to, or resonate with, that poem. This week’s poem is “Wild Geese,” written by Mary Oliver. The second poem, “Mindfulness” by Wang Wei, fits well with the spiritual message of the Oliver poem. The third poem, “October Dusk” by Diane
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This is the seventh in a series of columns that feature a much-loved poem, and a second poem that speaks to, or resonates with, the first poem. This week’s poem is “Requiem,” written by Robert Louis Stevenson. This poem was carved into Stevenson’s gravestone. The line that attracted me was “Glad did I live and
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This continues the series of columns that highlight a much-loved poem and presents other poems that speak to, or resonate with, that poem. This week features “Lead,” by Mary Oliver. The second related poem is by Emily Dickinson; the third is one of mine. The complete Poetry Foundation entry on Mary Oliver is available at Poetry Foundation:
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