There’s a sound that the early autumn wind makes through the cottonwoods across the way (all dash and whisper and sway) that is the sound of a faraway whistle caught on a thread of unraveling distance from an old coal train heading west; it is the sound of the last of the Canada geese hefting […]
Cottonwoods of October Read More »
When Americans haven’t been happy with a new law or decision, they’ve chosen various methods of protest to bring about changes to them. However, the old ways of bring forth the winds of change are no longer working. We have marches on Washington larger than anything M.L.K., Jr. ever accomplished, and for equally common sense
Winning through Non-Participationism Read More »
Technology addiction keeps getting worse. The American Psychological Association still recognizes it as a potential behavioral disorder. The problem is evidenced by an individual’s obsession with the interaction or activities gained through an electronic device. Symptoms range from depression to severe anxiety and self-abuse. The growing trend among teenagers is especially troubling. In fact, public
Technology Addiction Shouldn’t Be Ignored Read More »
Yesterday, had I been a millionaire able to hire a gardener or two, I — I still would have knelt in the earth and brushed back the crunchy leaves, to see, touch, oh! green shoots of new garlic. Yes, pruned scratchy rose bushes sucked blood from my thorn-stabbed thumb; cut back the lower aspen branches, plucked
Millionaire’s Spring Delight Read More »
THREE metamorphoses of the spirit do I designate to you: how the spirit becometh a camel, the camel a lion, and the lion at last a child. Many heavy things are there for the spirit, the strong load-bearing spirit in which reverence dwelleth: for the heavy and the heaviest longeth its strength. What is heavy?
Nietzsche on the Camel, the Lion, and the Child Read More »
When people think of Will Shakespeare’s Hamlet, they either think of “alas poor Yorick” and some dude with a skull, or Hamlet’s “To be or not to be.” The latter speech is incandescent in the play. But I would argue that the scenes which follow “To be or not to be” would tell you more