US Represented

Kevin Arnold

Kevin Arnold attended the University of Wisconsin as a Midshipman on a NROTC Scholarship. Upon graduation, he was commissioned and served as the Legal Officer on USS Columbus, CG12 and as Officer-in-Charge of USS Prowess, IX-305. He was selected for promotion to Lieutenant (the equivalent of an Army Captain) but separated at the end of the Vietnam era as a LTJG. He has published fifty stories and poems in literary magazines such as Seattle Review and Beloit Fiction Journal, and US Represented. He learned several elements of craft in an extraordinary week in Raymond Carver’s workshop at Centrum. Serving as President, Poetry Center San Jose from 2001-2013, he earned his MFA from San Jose State University in 2007 as well as help start Gold Rush Writers, in the California foothills, where he has taught since 2007. The San Francisco / Peninsula California Writer's Club recently named him Writer of the Year. Recent books include a novel, The Sureness of Horses, and a book of poems titled Do Not Think Badly of Me. He’s currently working on a follow-on novel, Palo Alto Joy Ride and has taken a recent interest in the villanelle.

Kevin’s Much-Loved Poems: from As You Like It

This is the fifth in a series of columns that feature a much-loved poem, and a second poem that speaks to, or resonates with, that poem. This week’s poem is “All the World’s a Stage” by William Shakespeare, written around 1600. The Poetry Foundation states, “While William Shakespeare’s reputation is based primarily on his plays, […]

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Kevin’s Much-Loved Poems: “One Art,” “Do not go gentle into that good night,” and “Driven by Love”

This column’s primary poem is “One Art” by Elizabeth Bishop, written in 1975. Although the first line of this poem is “The art of losing isn’t hard to master;” the same way Steven Sondheim’s “Send in the Clowns” isn’t about clowns, this isn’t about losing things, certainly not keys. Both follow Emily Dickinson’s edict: “Tell the

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Poet with a Guitar—The Story of the C&W hit “Pancho and Lefty”

I’m a sucker for songwriters—from Judy Collins’ eclectic selections to Dylan to Lenny Cohen to Sondheim—they’ve taught me always to ask, “Who wrote this?” When I heard the Willy Nelson / Merle Haggard version of “Pancho and Lefty,” I searched out the songwriter. I had no idea it was from Townes Van Zandt, a guy

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How to Throw a Novel Together in Twelve Years or Less

With my novel, The Sureness of Horses, available now, twelve years after I started, in hardcover, softback, and eBook forms, I took a few minutes to look back at some of the things I’d heard about writing that helped me finish the process. I’ve divided it into Beginnings, Middles, and Endings. Beginnings: “How is writing

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